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A tribal who knows both the Maoists and those who oppose them says, "Kaunsi vardi jayaj hai, kaunsi vardi najayaj yeh pata karne mein sau saal lag jaayenge," to Ratnakar (Mohammed Zeeshan Ayyub), a Mumbai police officer in Jharkhand on a mission to apprehend a rebel who is on the run.
With a three-year-old child in tow, Dasru (Manoj Bajpayee) is fleeing from Mumbai to Jharkhand in fear for his life after his wife Vaano (Tannishtha Chatterjee) is slain. His entire life, he runs. He first fled from weapons to take a job as a diligent but underpaid construction worker. He is now fleeing from the evil spirits who are trying to frame him for murder. He is fleeing from having to select a life that was not offered to him.
Review of the film Joram: A script analysis
Because Devashish Makhija writes and directs as well, the story has an eerie cohesion. The main couple, who hum the same tune in wildly divergent ways throughout both their happy and sad moments, lends support to the spectral persona Makhija introduces into the narrative. The political overtones go further into the anarchy surrounding the illegal immigration, not stopping with the ruling class triumphing over nature.
Makhija excels at allowing you to almost "taste" the movie through its frames; I know this sounds strange, but bear with me.

